Welcome to Women In Translation Month 2016 – #WITMonth

WomenInTranslation Logo 2016Women In Translation Month is here again.  This event, in its third year, was started by the blogger Meytal Radzinski.  The idea came out of a number of posts she wrote in which she used The Three Percent website’s yearly translation database to determine the percentage of books in translation written by women which are published each year.  The 2014 and 2015 results were depressing and this year seems to be a continuation of previous years’ trends.

In case you’ve forgotten: the goals for Women In Translation Month are simple –

  1. Increase the dialogue and discussion about women writers in translation
  2. Read more books by women in translation
  3. And if you’re a blogger or reviewer (or both) – BE AWARE!  Make sure you’re reviewing women in translation.  If publishers aren’t sending you the books, then start requesting them. It’s our job to let the readers know what they’re missing.

Want to be a part of the discussion?  –

I’ll be reading and posting about Women In Translation all of August. And while I probably won’t get to them all, here’s a peek at my TBR list –

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Big Changes

Dear Readers,

In 2009 I thought BookSexy Review would be a great name for a blog. Before the year was out I decided I hated it.  But couldn’t think of anything better.

It was a bad choice for any number of reasons:

  1. It sounds like a blog that reviews romance novels which, as you know, I do not.
  2. It provides no useful information about the site. Like what kinds of books are featured here.
  3. And it’s terribly cheesy.

But, for strictly practical reasons, BookSexy Review’s biggest failure as a name is that most employers put blocks on sites with words like “sexy”. Which means potential readers can’t browse during their breaks, or at the end of the workday before heading home. Even publishers have problems viewing the site – this issue was first mentioned to me by a Harper Collins publicist years ago. At the time I was too new to blogging to understand the import of what she was trying to tell me.

Skip forward 8 years (god i am old). My goals and interests have changed… as happens.  The site has evolved from a general book review blog to one devoted to books in translations. I’ve begun thinking about how and why I write these reviews.  And along the way I’ve become obsessed with journalism – both the “establishment” book reviewers and the current generation of online bloggers/journalists who supposedly threaten them.  Though, for the record, I remain fairly neutral on the subject of which is better.  Six months ago I decided it was time to rethink how and why I talk about books (a post for another day) and began contributing to other review outlets as part of my quest to become a better writer and reviewer.

Which leaves less content for here.  I realized that if I was going to continue the blog it would have to change.  Over the next month you’ll begin seeing some of these changes, the first being the name. I’ll keep the BookSexy Review url active for another year, but when you type in that name it will (if I don’t screw things up) redirect to a new url.  All of my old content, going back to the ugly beginnings, will become part of the new site. I was pleasantly surprised how easy WordPress makes this.  I’m going to try to do everything gradually, feeling my way as I go, so what you’ll experience will be more of an evolution into the new blog versus an abrupt shift.

The reason I’ve continued this blog for all these years is because of the incredible books in translation community of readers and bloggers who I’ve connected with (I hope you know who you are) from all over the world. Thank you so much for your generosity and passion and support. Thank you for sharing your opinions and reviews and for seeing something here that you thought was worth coming back for. I hope you’ll continue to stick with me through the upcoming changes.

And as for that new name (remember I mentioned my current obsession with journalists?):  a stringer is a freelance journalist who contributes regularly to the same news outlets, but on a piece-by-piece basis. They’re also sometimes referred to as reporters at large. While I may not be a professional reporter, I definitely consider myself a professional reader. Which seems like a good place to start over.

Reader@Large-HEADER

Random Updates: What I’m Reading, WIT Month Cometh, Summer Holiday Reading & Two Translation Awards Get Together

I’m currently enjoying The Brotherhood of Book Hunters by Raphaël Jerusalmy – a swashbuckling Alexander Dumas kind of tale translated from the French by Howard Curtis.  It’s completely charming!  The two main characters remind me quite a bit of Fritz Leiber’s Fafhrd & the Gray Mouser.  Jerusalmy has taken what’s best about sword & sorcery fiction and moved it into a historical setting – 15th century France, Jerusalum & (perhaps, I haven’t gotten that far yet) Italy.  I’m not sure if he did it on purpose – this is where an introduction or translator’s note would be helpful – but the parallels are there all the same.


Have I mentioned lately how I wish more books included Introductions, Forwards, Afterwards & Translator’s Notes? Obviously not all at once – there wouldn’t be much room for an actual story – but any combination/variation of the above would be acceptable & is always appreciated.


August is Biblibio’s 2nd Annual Women In Translation Month  – I’m hoping to take a more active part this year and with that in mind I’ve been putting together a tentative list of books to read & review.  There was a link on Twitter this morning to the New  Yorker article “The True Glamour of Clarice Lispector” (am I the only one who is constantly thrown off by the similarity between “Lispector” and “Inspector”?)  It was written by Benjamin Moser – well, taken from an introduction Moser wrote to a New Directions collection of her work, to be exact.  Benjamin Moser also wrote a biography of Inspector Lispector (see!?).

I’m very interested in reading that biography, titled Why This World: A Biography of Clarice Lispector, despite the fact that I still need to read anything by her. A deficiency I hope to correct soon. Thanks in a large part to New Directions the English translations of her work seem to be enjoying a well-deserved moment in the California sun. And from what I’ve heard about her books she seems to belong to The Club of Fierce Women Writers – members include Marie NDiaye, Naja Marie Aidt, Yoko Ogawa, Anne Garréta, & Therese Bohman (to name a few).  Women writers who aren’t afraid to leave it all on the page.

If you’re not already planning to take part in #WITM2015 follow this link to a great post listing FAQ’s & suggestions on ways to participate.  The only real requirement is to read women writers who’ve been translated into English.  And if you’d like some recommendations (or would like to leave some recommendations) feel free to use the comments section below.


More August News:  This year we’ve scheduled our Summer Holiday for the end of August and I’m already putting together a list of books to read poolside.  A solid seven days of uninterrupted reading time – bliss!  5 books seems to be a safe, and somewhat realistic, number.  Current contenders are:

  • War, So Much War by Mercè Rodoreda, tr. Maruxa Relaño & Martha Tennent
  • The Truth About the Harry Quebert Affair by Joel Dicker, tr. Sam Taylor
  • Decoded by Mai Jia, tr. Olivia Milburn & Christopher Payne
  • A Clarice Lispector book & biography double-header
  • Hollow Heart by Viola Di Grado, tr. Antony Shugaar

Of course this list will change at least 12 times between now and then.  Not least because I don’t think the Viola De Grado book is going to last (i.e.- remain unread) until then.


By now everyone has heard that the Man Booker International Prize and the International Foreign Fiction Prize have joined forces… just when the Man Booker International Prize finally had a list that was actually interesting!  In my unsolicited opinion the whole thing seems like a step backwards for International & Translated Literature. The two prizes evaluated two entirely different things – the former celebrating an international author, the latter an individual book published within the same year.  Of course, now the translator will be recognized (obviously a good thing) .  And the Man Booker International Prize list is usually a huge disappointment.  But wasn’t it lovely seeing the likes of Mabanckou, Aira, Van Niekerk, Krasznahorkai, Condé & Ghosh all up for the same award in 2015?

Your thoughts?

2015 Translation Awards – By the Numbers

None of the 10 authors nominated for the Man Booker International Prize has a book on the 4 longlists.

There are 76 spots on the combined longlists, including the 6 write-in spots for the Typographical Translation Prize. (3 of the 6 write-in titles show up on 1 of the 3 other longlists).

There are 62 unique titles across the 4 lists.

34 of the books are from Europe, 14 Latin America, 9 from Asia, 3 from Africa, 1 from the Middle East, 1 from North America.

France has the most books on the combined lists – 7.

There are 19 female authors represented & 41 male authors.

Bohumil Hrabal has 2 separate titles on The Best Translated Book Award longlist (translated by 2 different translators).

The I Ching translated by John Minford has no attributable author.

Baboon by Naja Marie Aidt, translated by Denise Newman, is the only title on 3 lists – The Best Translated Book Award, The PEN Translation Prize & The Typographical Translation Prize.  All 3 are American prizes, which has me wondering whether it is eligible for the Independent Foreign Fiction Prize?

12 titles appear on 2 of the lists.

Texas. The Great Theft by Carmen Boullosa, translated by Samantha Schnee won The Typographical Translation Prize and is longlisted for the PEN Translation Prize.

There are 58 individual translators across the 4 longlists.

4 titles were translated by a pair/team of translators.

2 translators on The Typographical Translation Prize longlist are brother & sister. Neither won.

7 translators have 2 books on the lists – Andrew Bromfield, Daniel Hahn, Silvestor Mazarella, Polly Gannon, Margaret Jull Costa, Jordan Stump & Don Bartlett.

Margaret Jull Costa is competing against herself for the Best Translated Book Award.

NUMBERS

Translation Award Season – The 2015 Edition

‘Tis the season for Translation Awards.  The 2015 Best Translated Book Award, Independent Foreign Fiction Prize, PEN Translation Prize, Man Booker International Prize and Typographical Translation Prize (which has already been selected) – I’ve included the long lists for all five below.  This year I thought it would be fun to put them all in one place and compare.  Later this week I’ll be taking a closer look…  But for now, enjoy!

2015 Best Translated Book Award

  • Baboon by Naja Marie Aidt, translated by Denise Newman (Denmark, Two Lines Press)
  • The Author and Me by Éric Chevillard, translated by Jordan Stump (France, Dalkey Archive Press)
  • Fantomas Versus the Multinational Vampires by Julio Cortázar, translated by David Kurnick (Argentina, Semiotext(e))
  • Pushkin Hills by Sergei Dovlatov, translated by Katherine Dovlatov (Russia, Counterpoint Press)
  • 1914 by Jean Echenoz, translated by Linda Coverdale (France, New Press)
  • Street of Thieves by Mathias Énard, translated by Charlotte Mandell (France, Open Letter Books)
  • Those Who Leave and Those Who Stay by Elena Ferrante, translated by Ann Goldstein (Italy, Europa Editions)
  • Things Look Different in the Light by Medardo Fraile, translated by Margaret Jull Costa (Spain, Pushkin Press)
  • Monastery by Eduardo Halfon, translated by Lisa Dillman and Daniel Hahn (Guatemala, Bellevue Literary Press)
  • Letters from a Seducer by Hilda Hilst, translated by John Keene (Brazil, Nightboat Books)
  • Harlequin’s Millions by Bohumil Hrabal, translated by Stacey Knecht (Czech Republic, Archipelago Books)
  • Rambling On: An Apprentice’s Guide to the Gift of the Gab by Bohumil Hrabal, translated by David Short (Czech Republic, Karolinum Press)
  • The Woman Who Borrowed Memories by Tove Jansson, translated by Thomas Teal and Silvester Mazzarella (Finland, New York Review Books)
  • Works by Edouard Levé, translated by Jan Steyn (France, Dalkey Archive Press)
  • Faces in the Crowd by Valeria Luiselli, translated by Christina MacSweeney (Mexico, Coffee House Press)
  • Adam Buenosayres by Leopoldo Marechal, translated by Norman Cheadle and Sheila Ethier (Argentina, McGill-Queen’s University Press)
  • Last Words from Montmartre by Qiu Miaojin, translated by Ari Larissa Heinrich (Taiwan, New York Review Books)
  • Winter Mythologies and Abbots by Pierre Michon, translated by Ann Jefferson (France, Yale University Press)
  • Our Lady of the Nile by Scholastique Mukasonga, translated by Melanie Mauthner (Rwanda, Archipelago Books)
  • Talking to Ourselves by Andrés Neuman, translated by Nick Caistor and Lorenza Garcia (Argentina, Farrar, Straus and Giroux)
  • Granma Nineteen and the Soviet’s Secret by Ondjaki, translated by Stephen Henighan (Angola, Biblioasis)
  • La Grande by Juan José Saer, translated by Steve Dolph (Argentina, Open Letter Books)
  • Paris by Marcos Giralt Torrente, translated by Margaret Jull Costa (Spain, Hispabooks)
  • Snow and Shadow by Dorothy Tse, translated by Nicky Harman (Hong Kong, East Slope Publishing)
  • The Last Lover by Can Xue, translated by Annelise Finegan Wasmoen (China, Yale University Press)

2015 Independent Foreign Fiction Prize 

  • Bloodlines by Marcello Fois, translated by Silvester Mazzarella (Italy, MacLehose Press)
  • Boyhood Island by Karl Ove Knausgaard, translated by Don Bartlett (Norway, Harvill Secker)
  • By Night the Mountain Burns by Juan Tomás Ávila Laurel, translated by Jethro Soutar (Equatorial Guinea, And Other Stories)
  • Colorless Tsukuru Tazaki and His Years of Pilgrimage by Haruki Murakami, translated by Philip Gabriel (Japanese, Harvill Secker)
  • F by Daniel Kehlmann by Daniel Kehlmann, translated by Carol Brown Janeway (Germany, Quercus)
  • In the Beginning Was the Sea by Tomás González, translated by Frank Wynne (Colombia, Pushkin Press)
  • Look Who’s Back by Vernes Timur, translated by Jamie Bulloch (Germany, MacLehose Press/Quercus)
  • The Dead Lake by Hamid Ismailov, translated by Andrew Bromfield (Russian, Peirene Press)
  • The End of Days by Jenny Erpenbeck, translated by Susan Bernofsky (Germany, Portobello Books)
  • The Giraffe’s Neck by Judith Schalansky, translated by Shaun Whiteside (Germany, Bloomsbury)
  • The Investigation by J.M. Lee, translated by Chi-Young Kim (Korea, Mantle/Pan Macmillan)
  • The Last Lover by Can Xue, translated by Annelise Finegan (Chinese, Yale University Press)
  • The Ravens by Tomas Bannerhed, translated by Sarah Death (Sweden, Clerkenwell Press)
  • Tiger Milk by Stefanie De Velasco, translated by Tim Mohr (Germany, Head of Zeus)
  • While the Gods Were Sleeping by Erwin Mortier, translated by Paul Vincent (Belgium, Pushkin Press)

The 2015 PEN Translation Prize

  • Trans-Atlantyk by Witold Gombrowicz, translated by Danuta Borchardt (Poland, Yale/Margellos)
  • The Gray Notebook by Josep Pla, translated by Peter Bush (Spain, New York Review Books)
  • The Symmetry Teacher by Andrei Bitov, translated by Polly Gannon (Russia, Farrar, Straus and Giroux)
  • The Master of Confessions by Thierry Cruvellier, translated by Alex Gilly (Franc, Ecco)
  • The Man Who Loved Dogs by Leonardo Padura, translated by Anna Kushner (Cuba, Farrar, Straus and Giroux)
  • I Ching, translated by John Minford (China, Viking Books)
  • Baboon by Naja Marie Aidt, translated by Denise Newman (Denmark, Two Lines Press)
  • Texas: The Great Theft by Carmen Boullosa, translated by Samantha Schnee  (Mexico, Deep Vellum Publishing)
  • Self-Portrait in Green by Marie NDiaye, translated by Jordan Stump (France, Two Lines Press)
  • The Woman Who Borrowed Memories by Tove Jansson, translated by Thomas Teal & Silvester Mazzarella (Finland, New York Review Books)

The 2014 Typographical Translation Prize 

  • Baboon by Naja Marie Aidt, translated by Denise Newman (Greenland, Two Lines Press)
  • The Symmetry Teacher by Andrei Bitov, translated by Polly Gannon (Russia, Farrar, Straus and Giroux)
  • The Corpse Exhibition by Hassan Blasim, translated by Jonathan Wright (Iraq/Finland, Penguin)
  • A Little Lumpen Novelita by Roberto Bolano, translated by Natasha Wimmer (Chile, New Directions)
  • The Author and Me by Éric Chevillard, translated by Jordan Stump (France, Dalkey Archive Press)
  • 1914 by Jean Echenoz, translated by Linda Coverdale (France, The New Press)
  • Those Who Leave and Those Who Stay by Elena Ferrante, translated by Ann Goldstein (Italy, Europa Editions)
  • With My Dog Eyes by Hilda Hilst, translated by Adam Morris (Brazil, Melville House)
  • The Hunting Gun by Yasushi Inoue, translated by Michael Emmerich (Japan, Pushkin Press)
  • F by Daniel Kehlmann, translated by Carol Janeway (Germany, Pantheon)
  • My Struggle Book Three: Boyhood by Karl Ove Knausgard, translated by Don Bartlett (Norway, Archipelago)
  • Summer House With Swimming Pool by Herman Koch, translated by Sam Garrett (Netherlands, Hogarth)
  • Faces in the Crowd by Valeria Luiselli, translated by Christina MacSweeney (Mexico, Coffee House Press)
  • Why I Killed My Best Friend by Amanda Michalopoulou, translated by Karen Emmerich (Greece, Open Letter Books)
  • The Man With the Compound Eyes by Wu Ming-yi, translated by Darryl Sterk (Taiwan, Pantheon)
  • Colorless Tsukuru Tazaki and His Years of Pilgrimage by Haruki Murakami, translated by Philip Gabriel (Japan, Knopf)
  • Natural Histories by Guadalupe Nettel, translated by J.T. Lichtenstein (Mexico, Seven Stories Press)
  • Talking to Ourselves by Andrés Neuman, translated by Nick Caistor & Lorenza Garcia (Argentina, FSG)
  • The Light and the Dark by Mikhail Shishkin, translated by Andrew Bromfield (Russia, Quercus)
  • The Cold Song by Linn Ullmann, translated by Barbara J. Haveland (Norway, Other Press)
  • Texas: The Great Theft by Carmen Boullosa, translated by Samantha Schnee (Mexico, Deep Vellum) – Write In / WINNER
  • Paris by Marcos Giralt Torrente, translated by Margaret Jull Costa (Spain, Hispabooks) – Write In
  • Harlequin’s Millions by Bohumil Hrabel, translated by Stacey Knecht (Czech Republic, Archipelago) – Write In
  • Nowhere People by Paulo Scott, translated by Daniel Hahn (Brazil, And Other Stories) – Write In
  • Guyana by Elise Turcotte, translated by Rhonda Mullins (French Canada, Coach House Books) – Write In
  • The Book of Sins by Chen Xiwo, translated by Nicky Harman (China, Forty-Six) – Write In

The Man Booker International Prize 2015

  • César Aira (Argentina)
  • Ibrahim al-Koni (Libya)
  • Hoda Barakat (Lebanon)
  • Maryse Condé (Guadeloupe/France)
  • Mia Couto (Mozambique)
  • Amitav Ghosh (Calcutta)
  • Fanny Howe (U.S.A.)
  • László Krasznahorkai (Hungary)
  • Alain Mabanckou (Congo/France)
  • Marlene Van Niekerk (South Africa)