Milk & Cookies. Chocolate & Peanut Butter. Zombies & Bloggers. The best things in life come in pairs. Mira Grant’s Newsflash Trilogy takes her readers into a world where the people no longer trust the conventional news media, we’ve cured cancer and the common cold… and side effects include lots of moaning and attempting to eat your neighbors after you die.
Georgia (George) & Shaun Mason are brother & sister bloggers. The year is 2039 and they’ve just hit the big time. One of the lead presidential candidates has made an unprecedented decision – to include bloggers as part of his media team. Senator Peter Ryman is the first person to run for president who was under the age of 18 when “The Rising” occurred, and that means he remembers the suffering that occurred when the traditional news outlets lied and only the bloggers were left to tell the truth. He’s chosen the Mason siblings – and their friend Buffy – to report on his campaign.
FEED introduces the reader to a new blogger world order. George is a Newsie – she reports straight, un-doctored truth and her reputation is impeccable. Shaun is an Irwin – thrill seekers (think Steve “the Crocodile Hunter” Irwin and the guys from Jackass) who provide valuable survival tips spiked with a heavy dose of suspense. Buffy, a “Fictional” – author and poet, as well as a techie extraordinaire – rounds out the trio.
“…We’re the all-purpose opiate of the new millennium: We report the news, we make the news, and we give you a way to escape when the news becomes too much to handle.” – Georgia Mason
Grant has created a brave new world, and if she’d stopped there I’d still want to read FEED just to explore it. But of course she gives us more than that. The story really gets going when tragedy (and zombies) strike on the campaign trail. And then strike again. And again…
Mira Grant is a pen name of Seanan McGuire. If you read BookSexy you know I’m a huge fan of her October Daye novels. This new series has all the same strengths and weaknesses. I’m an acolyte of the Robin McKinley school of world building – throw the reader into the deep end and let them learn to swim. McGuire’s…um, I mean Grant’s… technique is the exact opposite. She explains everything and she explains it more than once. It annoys the hell out of me – Because, really, who is George (the narrator for most of the book) explaining all this stuff to? In the October Daye books the explanations can be justified because Toby describes a world that theoretically exists parallel to our own but is hidden. But Georgia would logically assume that anyone she’s talking to is a contemporary and would already have a handle on the zombie situation. This inexplicable need to dumb down the narrative keeps a really good genre novel from becoming a great one.
But, even with its flaws, FEED is still fantastic – better than most zombie movies. The characters are people readers believe in and care about. You can’t help yourself. And, I’m warning you now, when McGuire’s holding the pen anything can happen and no one is safe. The story twists, turns and ties you up in emotional knots. I laughed. I cried. (Seriously, I really did cry). O.K., it’s not going to win a National Book Award… but who cares?
“Zombies are pretty harmless as long as you treat them with respect. Some people say you should pity the zombie, empathize with the zombie, but I think they are likely to become the zombie, if you get my meaning. Don’t feel sorry for the zombie. The zombie’s not going to feel sorry for you when he starts gnawing on your head…
If you want to deal with zombies, stay away from the teeth, don’t let them scratch you, keep your hair short, and don’t wear loose clothes. It’s that simple. Making it more complicated would be boring, and who wants that? We have what basically amounts to walking corpses, dude.
Don’t suck all the fun out of it”. – Shaun Mason
Publisher: Orbit, New York (2010)
ISBN: 978 0 316 12246 7