Pride & Prejudice & Zombies by Jane Austen & Seth Grahame-Smith

P&P&Z (a.k.a. – Pride & Prejudice & Zombies by Seth Grahame-Smith & Jane Austin) is more of a novelty item than a novel – like a rubber chicken or glasses with googly eyeballs.  Those who are expecting Monty Python’s (even Quentin Tarantino’s) version of Jane Austen will be disappointed.  The novel (i.e. – the text) is no longer funny.  The book, as an object, has become the joke.

Jane Austen’s original Pride & Prejudice is a very funny novel.  That sometimes gets lost in the endless “sequels” and Colin Firth fan clubs.  It’s filled with great lines, smart humor and manages to feel contemporary despite being the mother of all period costume pieces.  It’s not a book to get you a date, but it’s become a comfort book for a lot of women.

Yes, I said women.   Normally I’d fight gender stereotyping a novel, but….it is a truth universally acknowledged that the reading demographic for Jane Austen novels is scewed pretty heavily on the side of females.  (Sorry, it’s mandatory to misuse that quote ).  So, when Seth Grahame-Smith took Pride & Prejudice and added the “& Zombies” a lot of hopes were raised.  Finally the crossover book that Austen lovers had been waiting for.  It was an opportunity to convince skeptical partners to try Jane Austen with an open mind.  Zombie lovers – a seemingly growing demographic of which I am a part – would think they were reading about… well… zombies and before they knew it they’d be picking up copies of Persuasion at Barnes & Nobles. Jane Austen would infiltrate the hipster ranks.  Chaos would ensue.  People would actually watch that horrible Keira Knightly adaptation, waiting with bated breath for the hair dye to run down her face.

An added plus was that P&P&Z just looked funny.  Which I guess was the actual point.

Who, then, would have anticipated that the zombies, cleverly referred to as “Unmentionables” (the first and last clever thing I encountered in this book) could change the character dynamic of an entire novel?  Characters like Mary Bennet & Lady Catherine are given a purpose  – even worse employment! – fighting zombies and protecting the surrounding countryside.  The result is surprisingly boring.  The addition of a purpose makes reasonable all the puffed-up self importance, pride, and class prejudice that was funny in the original.  It renders characters all but unrecognizable.  Look specifically at what has happened to Mary Bennet, a complete bore as imagined by Austen, by comparing this passage to the original.

They were not the only objects of Mr. Collins’s admiration… The dinner too was highly admired; and he begged to know to which of his fair cousins the excellency of its cooking was owing.

Briefly forgetting her manners, Mary grabbed her fork and leapt from her chair onto the table.  Lydia, who was seated nearest her, grabbed her ankle before she could dive at Mr. Collins, and, presumably, stab him about the head and neck for such an insult.  Jane and Elizabeth turned away so Mr. Collins would not see them laughing. (pg. 52)

If Mary met Sarah Connor in a dark alley, my money would be on Mary.  Which leads me to ask, what is the point of her character in this new version?  When later on  Elizabeth & Jane find Mary “as usual, deep in the study of human nature”  (pg 49)  I rolled my eyes.  Jane Austen’s Mary was ridiculous… for Mr. Grahame-Smith she is intense.

Pride & Prejudice was not meant to be intense.  One would think P&P&Z even less.  Literary critics have  commented on the lack of historical events and context in Jane Austen’s novels.   For example:  Pride & Prejudice, like most of her books, is set during the Napoleonic War.  The only hints of this are references to the comings and goings of the regiment stationed in Meryton.  This was most likely on purpose, as I think Mr. Grahame-Smith’s version inadvertently demonstrates.  His zombies, like the war would have, somehow add gravity to a novel not intended to be grave.  Pride & Prejudice is at its heart a romantic comedy.  In Mr. Grahame-Smith’s book that is lost.  His Elizabeth Bennet is no longer bright and light heart-ed.  She, like the rest of the characters, has become preachy, sermonizing and in danger of taking herself waaay too seriously (much like the original Mary Bennet).  Take this enchanting little speech by Elizabeth to Mr. Collins after encountering zombies on their walk to Meryton.

…Elizabeth took the pipe from Mr. Collins’ mouth, blew on the glowing tobacco, and threw it over the side.

“That was a gift from her ladyship!” he cried, loud enough to draw the attention of the zombies below.  They looked up and let loose their terrible roars, which were cut short by a violent, fiery explosion as pipe and oil met.  Suddenly engulfed, the zombies staggered about, flailing wildly and screaming as they cooked.  Jane raised her Brown Bess, but Elizabeth pushed the barrel aside.

“Let them burn,” she said.  “Let them have a taste of eternity.”

Turning to her cousin, who had averted his eyes, she added, “You see, Mr. Collins…God has no mercy.  And neither must we.”

Though angered by her blasphemy, he thought better of saying anything on the matter, for he saw in Elizabeth’s eyes a kind of darkness, a kind of absence – as if her soul had taken leave, so that compassion and warmth could not interfere. (pg. 58)

So much for her fine eyes.

If the characters in a romantic comedy are not light & ridiculous then what’s the point?  I suppose there are the zombies and ninjas.

Um… about that…

Mr. Grahame-Smith never quite pulls it off.  His zombies and the Austen world never mesh.  They lack authenticity.   The book degenerates into a kind of Mad Libs where instead of random words “Unmentionable”, “ninja” and “the deadly arts” are inserted into the blanks.  Ultimately he isn’t in love with the material.  As a result he continuously misses the point, as well as the humor, and goes for the easy joke of introducing zombies and ninjas directly into the original prose.  But it’s only one joke.  One joke that gets old quickly when it’s stretched for 320 pages.

What to Do with Your Copy (instead of reading it):  Mix it in with some books on the guestroom nightstand.  Use it on your coffee table as a coaster.  Display it like the conversation piece which it is.

What to Read Instead:  I think I prefer my zombies in films and video games.

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4 thoughts on “Pride & Prejudice & Zombies by Jane Austen & Seth Grahame-Smith

  1. I believe this parody is too altered for devoted fans and not enough for zombie enthusiasts. I agree 100% with your distaste for the changes in Mary and Lady Catherine’s nature and that the book was robbed of it’s wit. I found a few funny twists, those and fact that most of the book IS Jane Austen’s Pride and Prejudice made it “OK” for me.

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  2. Well you didn’t get it. If you you think about it long enough for a second you would begin to see that this is all a physical representation of what is going on. Your right for criticizing this piece of literature is not appreciated. You’re calling this a joke when the whole point is that its basically calling attention to the elements of the the original in order to capture a different way to think about what was happening. This book has meaning…you just need to be smart enough to find it.

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  3. Abdiel –

    First, thank you for commenting. It’s been so long since I wrote this review that I had to go back and re-read what I’d written. And, having done so, I stand behind it. I still believe there is a tongue-in-cheek element to the book that falls a bit flat. If the zombies are meant to be a physical manifestation of events/society as represented in the book, I think that part was underdeveloped by the author. And if the author was attempting to use the book to make a post-modern statement on current events… you’re probably right, I don’t see it.

    In my mind Pride & Prejudice & Zombies was written as a parody, and I think that my opinion has been supported by the slew of ‘mash-ups’ which followed. (Sense, Sensibility & Sea Monsters and Little Women & Werewolves are two that come immediately to mind). Don’t get me wrong, Abdiel, I do find some of it funny – particularly the parts I see excerpted in other reviews – but the sad thing is that as a whole I didn’t find it as clever as the original.

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